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Harrison Adams harryadams2@gmail.com Search for other works by this author on: Oxford Academic
Art History, Volume 47, Issue 5, November 2024, Pages 1022–1027, https://doi.org/10.1093/arthis/ulae057
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21 November 2024
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Harrison Adams, Utopia: Rhetoric and Reality, Art History, Volume 47, Issue 5, November 2024, Pages 1022–1027, https://doi.org/10.1093/arthis/ulae057
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Aleksandr Rodchenko: Photography in the Time of Stalin, by Aglaya Glebova, New Haven and London, Yale University Press, 2022, 241pp., 57 col. and 81 b. & w. illus., hardback, £50.
Red Aesthetics: Rodchenko, Brecht, Eisenstein, by Todd Cronan, Lanham and London, Rowman & Littlefield Publishers, 2022, 204pp., 3 col. and 39 b. & w. illus., hardback, £73, paperback, £30.
The past twenty five years have seen a steady stream of scholarship on Soviet avant-garde art, from Maria Gough’s The Artist as Producer: Russian Constructivism in Revolution (2005), Christina Kiaer’s Imagine No Possessions: The Socialist Objects of Russian Constructivism (2008), Kristin Romberg’s Gan’s Constructivism: Aesthetic Theory for an Embedded Modernism (2019) to a number of important exhibitions and articles by John Bowlt, Leah Dickerman, T.J. Clark and others. Aglaya Glebova’s Aleksandr Rodchenko: Photography in the Time of Stalin is a welcome addition to this list. It shares with its predecessors a sense of historical depth, attention to archival idiosyncrasies and, of course, the difficulties of translating keywords from Russian into English.
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